3.2 Digital Mixing Desk

Constructing a digital mixing desk is not as complicated as it sounds.


PIC
Figure 2: wired feeling. it works.


3.2.1 MIDI Box

  1. ABOUT THE MIDI BOX PROJECT
  2. STANDART 7BIT RESOLUTION WITH 64 FADERS (58MILLIMETERS)
  3. ... WITH ANTILOG FADER CONTROL

This is a topic I am thinking about for a long time: How about re-using logarithmic faders of the good old consoles to control digital mixers ?

First I thought of analogue antilog circuitry, but this is way too complicated (and too expensive).

Well, the solution is there with a bit of assembler programming. PIC16Fxxx is in the MIDI Box project. See here (yes link missing.) And it has a 10bit ADC. The assembler code is ready to use along with a bootstrap loader and a complete java interface.

I guess in the near future we have PICs that provide 14bit or more ADCs in affordable PICs - becoming suitable for a detailed lookup-table (needed eg. for those marvelous 150mm log faders in old -wasted- Siemens mixing consoles). Already 10bit seams to be an interesting option. And it’s already there. With motorfader support!

At the other side PD (or MSP) is there to provide you with a state-of-the-art digital mixing console.

3.2.2 A simple desktop PC will provide enough CPU cycles

  1. It takes only a few hours to programm a mixer within Max. Your multitrack player will be rewire slave and IOs are the ones you provide within your asio setup.
  2. For better latency we use Creamware Scope DSP cards. These are available at a price as low as 200.-EUR . I am speaking of the Pulsar PCI card, Revision I, with 4 shark DSPs and no less than 20 IOs (on ebay). These cards are cascadable. Moreover cards with up to 15 shark DSPs are avaylable. These a programmable with a interface comparable to the Max/MSP interface. Creamware provides ready to use mixers, which fulfill professional requirements. (more or less)